In 1936 as Texas ready to have a good time its centennial—100 years after the conflict of San Jacinto—Dallas was once selected because the website of the reliable exhibition. Plans have been below approach for a modest Frontier Days party in castle Worth—until Star-Telegram writer and civic booster Amon G. Carter stepped in. Carter thought of the naming of Dallas because the authentic website a gross miscarriage of justice and was resolute to get even via mounting a exhibit that will at once rival the authentic event—and pull vacationer money into castle worthy. to place his social gathering jointly Carter employed flamboyant Broadway manufacturer Billy Rose. the end result used to be fortress Worth’s Frontier Centennial, a fantastic conglomeration of agricultural indicates, sideshow nudes, an old-time Wild West express, Rose’s musicalized circus Jumbo, and a parade of Broadway and vaudeville expertise led by means of characteristic artiste, stripper Sally Rand.
The centerpiece for this extravaganza was once the dinner theater, Casa Mañana, with the world's biggest revolving degree surrounded via a tank of water on which it appeared to waft, over twenty fountains, and geysers of water that shot into the air at strategic periods. The construction featured over thirty Spanish-style arches, was once 320 toes in size, and contained the world’s longest bar, a truth of which Rose was once inordinately proud.
But it was once the revue in this really good level that actually made theatrical historical past. On establishing evening, Paul Whiteman raised his baton and bands swung into the fanfare. there have been interpretations of the St. Louis World’s reasonable, the Paris Exposition of 1925, and Chicago’s 1933 Century of development Exposition. Texas “Sweetheart #1” wore a $5,000 gold-mesh costume, and Sally Rand wore just a large opaline balloon. On establishing evening whilst the orchestra performed “The Eyes of Texas,” the viewers rose to its toes making a song, whistling, and cheering. “Texans,” wrote one critic, “are now not given to well mannered applause.”
The Frontier Centennial and its sequel, the Frontier Fiesta, closed after simply short seasons (1936 and 1937), the second one season reduce brief by means of controversy and proceedings. Rose left fortress worthy less than a cloud, educated via urban fathers that his prone have been not wanted. Undaunted, he went directly to turn into a multimillionaire with virtually mythical prestige as a theatrical producer.
But citadel worthy was once by no means back an identical after the Frontier Centennial . . . and stories of that pageant linger this present day, even if the structures have been some time past razed.
Today an enduring theater-in-the-round, properly named Casa Mañana, is found at the centennial grounds. well-liked by castle Worthians, it may possibly purely echo the attractiveness of the original.